Title: | The Long Draw |
Inventory#: | NE000103 |
Size: | 18" x 60" |
Medium: | Oil on Panel |
Price: | $58,000 |
Now We Are Six
By A. A. Milne
When I was One,
I had just begun.
When I was Two,
I was nearly new.
When I was Three
I was hardly me.
When I was Four,
I was not much more.
When I was Five,
I was just alive.
But now I am Six,
I’m as clever as clever,
So I think I’ll be six now for ever and ever.
Now We Are Sixty…
When I take stock
of all the steps
along the road
the people and places
the lessons and loves
the pleasures
and the pains
wanderlusts
and home comings all
what seems to
have most defined my life
the whisper of a wake
in this world that has
so far
been me
it is the things
my hands have made.
I am leaving spoons
and chairs
drawings
and paintings
sweaters
and shawls
journals
and quilts
garden beds
and compost piles
scattered along the road
like breadcrumbs
not to find my way home
but to say
I was here.
There something in spinning called the long draw.
It can be defined as a technique, but spinners will
understand it better as a Zen-like goal that embodies
both skill and soul.
You aim to pull the carded wool as far as your arms
will stretch, while maintaining a steady rhythm to the
wheel, and a gently tapering thinness to the yarn.
It requires practice, and patience, and when achieved
one is truly balanced with the universe and beyond.
My hands know that place well…
and always get there long before my heart does.
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Born in Honolulu, Hawaii, in 1958, Heather Neill moved frequently as a child, from California to the East Coast and back again. She majored in art at Connecticut College before landing first in Boston, MA, where she worked as a picture framer, and later remote Muddy Creek Forks, Pennsylvania. It was there she developed traditional woodworking skills and trained as a chair maker, using hand tools to fashion Shaker style ladder-back chairs.
During a lifetime of exploring art, Heather’s only formal training came during her college years. With her easel set up in each of the 26 places she’s lived, Heather continued to paint while working various odd jobs, including farm hand, bookbinder, vest maker, and stripper at a three woman printing company.
Heather’s work, rich in texture and detail, features equal parts still life, interiors and landscapes. Preferring to work from life, she collects items everywhere from antique shops and yard sales...to the woods behind her studio and brings them home to paint. From tea cups to doctor’s bags to firefighting helmets, the common threads are the stories that the objects, rooms or spaces in the paintings have to tell.
Painting full time since 2001, Heather now divides her time between Pennsylvania and Martha’s Vineyard, with her wife Pat, a hospice nurse, from whom she has learned that “life is short and far too precious to be doing something less than meaningful work.”
Check Out Heather's You Tube Channel for Painter's Notes and Artist's musings.
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