Title: | Children at a Puppet Theatre, Paris, 1963 |
Inventory#: | EISENA000084 |
Size: | 20" x 24" |
Frame Size: | 25" x 29" |
Medium: | Silver Gelatin Print |
Price: | $55,400 |
Title: "Children at a Puppet Theatre" Photographer: Alfred Eisenstaedt Date: 1963 Location: Paris, France
Edition Details
20x24 250/AP25/PP10 Signed
Description:
Children reacting to the story of "Saint George and the Dragon," the moment the dragon is slain, at the Guignol puppet show, Parc de Montsouris in the Tuileries, Paris, France. Eisenstaedt said of this photograph, "It took a long time to get the angle I liked, but the best picture is the one I took at the climax of the action. It carries all the excitement of the children screaming, "The dragon is slain!" Very often this sort of thing is only a momentary vision, my brain does not register, only my eyes and finger react. Click."
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Alfred Eisenstaedt (1898-1995)
Photographer
Alfred Eisenstaedt, or “Eisie,” as his friends called him, was born of well-
to-do parents in Dirchau, West Prussia (now part of Poland), in 1898.
As a boy, Alfred enjoyed listening to symphonies and even thought of studying to become a musician. But on his thirteenth birthday an uncle presented him with a gift; this folding Eastman Kodak Number Three led Eisie to his lifelong dedication to photography. After being drafted into the German army and recovering from a crippling war injury, Eisie became a familiar figure at the local art museums. There he studied the paintings of the masters, particularly with an eye to their handling of composition and lighting.
By 1929 Eisie was earning more as a freelance photographer than he was as a salesman. Within days of deciding to take photos full-time, Pacific and Atlantic Photos (later the Associated Press) sent him on assignment to Stockholm. He continued to build a name for himself by taking pictures of topical interest. In 1932, Eisie bought his first Leica, the 35mm camera that was revolutionizing photojournalism.
In 1935 Eisie left Europe, arriving in New York at the end of November. After presenting some of his recent work to executive editor Daniel Longwell of LIFE, Eisie was hired. Within a few months Eisie had become one of the four staff photographers for the new magazine. Considered one of the foremost photojournalists of this century, Eisenstaedt has been given a multitude of exhibitions, awards, and medals.